{"id":7464,"date":"2022-04-05T11:57:15","date_gmt":"2022-04-05T09:57:15","guid":{"rendered":"http:\/\/www.unilim.fr\/culture\/?p=7464"},"modified":"2022-04-05T11:57:15","modified_gmt":"2022-04-05T09:57:15","slug":"suites-en-duo","status":"publish","type":"post","link":"https:\/\/www.unilim.fr\/culture\/2022\/04\/05\/suites-en-duo\/","title":{"rendered":"SUITES EN DUO"},"content":{"rendered":"<p>Jeudi 14 Avril \u00e0 20h30\u00a0 Propos\u00e9 par la Chapelle Harmonique<br \/>\nEspace Andr\u00e9 Lejeune, Gu\u00e9ret<\/p>\n<p>En 1983, <strong>Rudolf Noureev<\/strong> cr\u00e9ait Bach Suite, une chor\u00e9graphie sur des th\u00e8mes du compositeur allemand.<br \/>\n<strong>Valentin Tournet<\/strong>, gambiste nomin\u00e9 aux Victoires de la Musique Classique 2022, s&rsquo;est inspir\u00e9 de ce spectacle historique pour r\u00e9inventer une rencontre artistique. <strong>Vincent Chaillet,<\/strong> ma\u00eetre de Ballet au Th\u00e9\u00e2tre du Capitole de Toulouse, ancien Premier danseur de l&rsquo;Op\u00e9ra National de Paris, improvise ce ballet avec la viole de gambe de Valentin Tournet sur des airs de Bach, Telemann, Sainte Colombe et Marais.<\/p>\n<div class=\"vc_col-sm-6 wpb_column column_container vc_column_container col no-extra-padding instance-5\" data-shadow=\"none\" data-border-radius=\"none\" data-border-animation=\"\" data-border-animation-delay=\"\" data-border-width=\"none\" data-border-style=\"solid\" data-border-color=\"\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\">\n<div class=\"vc_column-inner\">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p class=\"p1\"><span class=\"\">La Chapelle Harmonique a \u00e9t\u00e9 fond\u00e9e en 2017 par Valentin Tournet. Elle r\u00e9unit un ch\u0153ur et un orchestre jouant sur instruments d\u2019\u00e9poque. Le choix du r\u00e9pertoire, principalement centr\u00e9 sur l<\/span><span class=\"\" dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><span class=\"\" lang=\"IT\">oratorio et l<\/span><span class=\"\" dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><span class=\"\">op\u00e9<\/span><span class=\"\" lang=\"ES-TRAD\">ra baroque, s<\/span><span class=\"\" dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><span class=\"\">accompagne d<\/span><span class=\"\" dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><span class=\"\">une volont\u00e9 de renouveler l<\/span><span class=\"\" dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><span class=\"\">approche des grandes \u0153uvres, en s<\/span><span class=\"\" dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><span class=\"\">int\u00e9ressant en particulier \u00e0 des \u00e9ditions moins connues et usit\u00e9es : <span class=\"Aucun\"><i class=\"\">Passion selon Saint-Jean<\/i><\/span>(seconde version) ou <\/span><span class=\"Aucun\"><i class=\"\"><span class=\"\" lang=\"IT\">Magnificat<\/span><\/i><\/span><span class=\"\"> (version dite de No<\/span><span class=\"\" lang=\"NL\">\u00eb<\/span><span class=\"\">l) de Bach, ouvrages sc\u00e9niques de Rameau.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"vc_col-sm-6 wpb_column column_container vc_column_container col no-extra-padding instance-6\" data-shadow=\"none\" data-border-radius=\"none\" data-border-animation=\"\" data-border-animation-delay=\"\" data-border-width=\"none\" data-border-style=\"solid\" data-border-color=\"\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\">\n<div class=\"vc_column-inner\">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p class=\"Pardfaut\"><span class=\"\" lang=\"ES-TRAD\">En parall<\/span><span class=\"\" lang=\"IT\">\u00e8<\/span><span class=\"\">le \u00e0 ces concerts recourant \u00e0 un grand effectif, l<\/span><span class=\"\" dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><span class=\"\">ensemble\u00a0a fait le pari de projets chambristes pluridisciplinaires et novateurs, qui lui ont permis\u00a0de collaborer avec des personnalit\u00e9s dans et en dehors du monde dit classique, telles que Jean-Fran\u00e7<\/span><span class=\"\" lang=\"SV\">ois Zygel (<\/span><span class=\"Aucun\"><i class=\"\"><span class=\"\">Double Bach<\/span><\/i><\/span><span class=\"\">), Lou de La\u00e2ge, Jennifer Decker &amp; Alex Vizorek (<span class=\"Aucun\"><i class=\"\">Fables<\/i><\/span>de La Fontaine), en partenariat avec des institutions comme <\/span><span class=\"\" lang=\"IT\">la Com<\/span><span class=\"\">\u00e9<\/span><span class=\"\" lang=\"DE\">die fran<\/span><span class=\"\">\u00e7aise ou la Cit\u00e9 internationale de la BD et de l<\/span><span class=\"\" dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><span class=\"\">image d<\/span><span class=\"\" dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><span class=\"\">Angoul\u00eame. Cette double activit\u00e9 permet \u00e0 Valentin Tournet de passer de l<\/span><span class=\"\" dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><span class=\"\" lang=\"EN-US\">activit<\/span><span class=\"\">\u00e9 de chef d<\/span><span class=\"\" dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><span class=\"\" lang=\"IT\">orchestre <\/span><span class=\"\">\u00e0 celle d<\/span><span class=\"\" dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><span class=\"\">instrumentiste, dans un \u00e9change nourricier avec les pratiques <\/span><span class=\"\" lang=\"ES-TRAD\">musicales qu<\/span><span class=\"\" dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><span class=\"\">il a privil\u00e9gi\u00e9 au fil de son \u00e9volution.<\/span><\/p>\n<p class=\"Pardfaut\"><span class=\"\">\u00c0 cela s\u2019ajoute une d\u00e9marche volontaire d\u2019\u00e9ducation artistique et culturelle men\u00e9e en lien avec les Acad\u00e9mies de Limoges et de Versailles.<\/span><\/p>\n<\/div>\n<p>Billetterie : 05 55 52 84 94<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Jeudi 14 Avril \u00e0 20h30\u00a0 Propos\u00e9 par la Chapelle Harmonique Espace Andr\u00e9 Lejeune, Gu\u00e9ret En 1983, Rudolf Noureev cr\u00e9ait Bach Suite, une chor\u00e9graphie sur des th\u00e8mes du compositeur allemand. Valentin Tournet, gambiste nomin\u00e9 aux Victoires de la Musique Classique 2022, s&rsquo;est inspir\u00e9 de ce spectacle historique pour r\u00e9inventer une rencontre artistique. Vincent Chaillet, ma\u00eetre de [&hellip;]<\/p>\n","protected":false},"author":120,"featured_media":7465,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-7464","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualite"],"_links":{"self":[{"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/posts\/7464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/users\/120"}],"replies":[{"embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/comments?post=7464"}],"version-history":[{"count":0,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/posts\/7464\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/media\/7465"}],"wp:attachment":[{"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/media?parent=7464"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/categories?post=7464"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/tags?post=7464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}