{"id":5952,"date":"2021-04-29T16:38:23","date_gmt":"2021-04-29T14:38:23","guid":{"rendered":"http:\/\/www.unilim.fr\/culture\/?p=5952"},"modified":"2021-06-14T11:23:53","modified_gmt":"2021-06-14T09:23:53","slug":"lecriture-fait-sa-scene","status":"publish","type":"post","link":"https:\/\/www.unilim.fr\/culture\/2021\/04\/29\/lecriture-fait-sa-scene\/","title":{"rendered":"L&rsquo;ECRITURE FAIT SA SCENE,  RENCONTRE AVEC DAVID THOMAS ECRIVAIN"},"content":{"rendered":"<p>Cliquez sur ce lien\u00a0 \u00a0 <a href=\"https:\/\/youtu.be\/zFt8Z4HUu-0\">https:\/\/youtu.be\/zFt8Z4HUu-0<\/a><\/p>\n<p>C&rsquo;est en pr\u00e9sence de David Thomas \u00e9crivain\u00a0 candidat au Goncourt 2021 de la nouvelle que les \u00e9l\u00e8ves des quatre Ateliers d\u2019\u00e9criture cr\u00e9ative du Master FABLI (Fabrique de la litt\u00e9rature) l\u2019Atelier Fiction l\u2019Atelier Eloquence, l\u2019Atelier Microfictions, l\u2019Atelier \u00e9criture th\u00e9\u00e2trale et leurs enseignants Jean-Michel Devesa, Paul Francesconi, Antoinette Gimaret, Milena Mikha\u00eflova et Laurence Pradelle ont eu le plaisir de pr\u00e9senter\u00a0 la restitution publique des travaux r\u00e9alis\u00e9s pendant l&rsquo;ann\u00e9e 20-21.<\/p>\n<p>L&rsquo;illustration est de Manon Clavaud \u00e9tudiante en Master Fabli.<\/p>\n<p><strong>David Thomas<\/strong><\/p>\n<p>N\u00e9e en 1966, David Thomas travaille d\u2019abord comme journaliste pendant une vingtaine d\u2019ann\u00e9es, puis se consacre \u00e0 l\u2019\u00e9criture.<br \/>\nEn 2007, il \u00e9crit sa premi\u00e8re pi\u00e8ce de th\u00e9\u00e2tre \u00ab\u00a0Tais-toi et parle moi\u00a0\u00bb, mont\u00e9e en sc\u00e8ne par Hocine Choutri \u00e0 La Manufacture des Abbesses.<\/p>\n<p><strong>Auteur de deux romans\u00a0:<\/strong><\/p>\n<p><em>Un silence de clairi\u00e8re<\/em>, \u00e9d. Albin Michel, 2011<\/p>\n<p><em>Hortensias<\/em>, \u00e9d. Stock, 2015<\/p>\n<p>Auteur de plusieurs recueils de microfictions\u00a0:<\/p>\n<p><em>La Patience des buffles sous la pluie, <\/em>\u00e9d. Bernard Pascuito, 2009, Le Livre de Poche, 2011<\/p>\n<p><em>Je n\u2019ai pas fini de regarder le monde<\/em>, \u00e9d. Albin Michel, 2012<\/p>\n<p><em>On ne va pas se raconter d\u2019histoires<\/em>, \u00e9d. Stock, 2014<\/p>\n<p><em>Le poids du monde est amour, <\/em>\u00e9d. Anne Carri\u00e8re, 2018<\/p>\n<p><em>Un homme \u00e0 sa fen\u00eatre<\/em>, \u00e9d. Anne Carri\u00e8re, 2019<\/p>\n<p><em>Seul entour\u00e9 de chiens qui mordent<\/em>, \u00e9d. de l\u2019Olivier, 2021<\/p>\n<p>Prix litt\u00e9raires\u00a0:<\/p>\n<p>Prix de la D\u00e9couverte 2009 de la. Fondation Prince Pierre de Monaco pour <em>La Patience des buffles sous la pluie<\/em><\/p>\n<p>Prix Orange du livre 2011 pour <em>Un silence de clairi\u00e8re<\/em><\/p>\n<p>Prix Louis Barthou de l\u2019Acad\u00e9mie fran\u00e7aise 2012 pour <em>Un silence de clairi\u00e8re<\/em><\/p>\n<p><a href=\"https:\/\/www.unilim.fr\/culture\/wp-content\/uploads\/sites\/17\/2021\/04\/David-Thomas.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-5953\" src=\"https:\/\/www.unilim.fr\/culture\/wp-content\/uploads\/sites\/17\/2021\/04\/David-Thomas.jpeg\" alt=\"\" width=\"480\" height=\"640\" srcset=\"https:\/\/www.unilim.fr\/culture\/wp-content\/uploads\/sites\/17\/2021\/04\/David-Thomas.jpeg 480w, https:\/\/www.unilim.fr\/culture\/wp-content\/uploads\/sites\/17\/2021\/04\/David-Thomas-225x300.jpeg 225w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cliquez sur ce lien\u00a0 \u00a0 https:\/\/youtu.be\/zFt8Z4HUu-0 C&rsquo;est en pr\u00e9sence de David Thomas \u00e9crivain\u00a0 candidat au Goncourt 2021 de la nouvelle que les \u00e9l\u00e8ves des quatre Ateliers d\u2019\u00e9criture cr\u00e9ative du Master FABLI (Fabrique de la litt\u00e9rature) l\u2019Atelier Fiction l\u2019Atelier Eloquence, l\u2019Atelier Microfictions, l\u2019Atelier \u00e9criture th\u00e9\u00e2trale et leurs enseignants Jean-Michel Devesa, Paul Francesconi, Antoinette Gimaret, Milena Mikha\u00eflova [&hellip;]<\/p>\n","protected":false},"author":51,"featured_media":5967,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-5952","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conference"],"_links":{"self":[{"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/posts\/5952","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/users\/51"}],"replies":[{"embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/comments?post=5952"}],"version-history":[{"count":0,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/posts\/5952\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/media\/5967"}],"wp:attachment":[{"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/media?parent=5952"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/categories?post=5952"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/tags?post=5952"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}