{"id":5707,"date":"2021-04-05T22:29:16","date_gmt":"2021-04-05T20:29:16","guid":{"rendered":"http:\/\/www.unilim.fr\/culture\/?p=5707"},"modified":"2021-04-05T22:30:29","modified_gmt":"2021-04-05T20:30:29","slug":"les-7-dernieres-paroles-du-christ-dubois","status":"publish","type":"post","link":"https:\/\/www.unilim.fr\/culture\/2021\/04\/05\/les-7-dernieres-paroles-du-christ-dubois\/","title":{"rendered":"LES 7 DERNI\u00c8RES PAROLES DU CHRIST | DUBOIS"},"content":{"rendered":"<div class=\"kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\">\n<div dir=\"auto\">Regardez sur Youtube<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\"><a class=\"oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl py34i1dx gpro0wi8\" role=\"link\" href=\"https:\/\/youtu.be\/3SYRLVAvvqo\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">https:\/\/youtu.be\/3SYRLVAvvqo<\/a><\/div>\n<div dir=\"auto\"><\/div>\n<\/div>\n<div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\">\n<div dir=\"auto\">Dans sa version originelle de 1867 pour petit orchestre, orgue, ch\u0153ur et solistes reconstitu\u00e9 par A. Vigneron (ed. Diem).<\/div>\n<\/div>\n<div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\">\n<div dir=\"auto\">Th\u00e8me douloureux entre tous : la v\u00e9n\u00e9ration des sept paroles prononc\u00e9es par J\u00e9sus crucifi\u00e9, tir\u00e9es des quatre \u00e9vangiles, qui devinrent sujet de m\u00e9ditation, d&rsquo;exercice spirituel. Cet oratorio est sans doute l\u2019\u0153uvre la plus connue de Th\u00e9odore Dubois. L\u2019\u0153uvre, command\u00e9e en 1867 par le cur\u00e9 de Sainte-Clotilde \u00e0 Paris pour le Vendredi Saint \u00e9tait tout d\u2019abord destin\u00e9e \u00e0 une petite formation instrumentale et vocale, utilisant les moyens habituels d\u2019une paroisse parisienne de la deuxi\u00e8me moiti\u00e9 du XIXe, mais l\u2019oratorio connut un tel succ\u00e8s qu\u2019il fut rapidement r\u00e9orchestr\u00e9 pour grand effectif symphonique afin d\u2019\u00eatre jou\u00e9 dans les concerts Pasdeloup \u00e0 Paris et dans le monde entier.<\/div>\n<\/div>\n<div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\">\n<div dir=\"auto\">La partition originale ayant disparu, il a fallu reconstituer l\u2019\u0153uvre avec tout un travail de recherche pour enfin proposer cette version initiale.<\/div>\n<\/div>\n<div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\">\n<div dir=\"auto\">DISTRIBUTION<\/div>\n<div dir=\"auto\">Direction : Edward Ananian-Cooper<\/div>\n<\/div>\n<div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\">\n<div dir=\"auto\">Avec H\u00e9l\u00e8ne Carpentier (soprano), K\u00e9vin Amiel (t\u00e9nor) et Alexandre Duhamel (baryton)<\/div>\n<\/div>\n<div class=\"o9v6fnle cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q\">\n<div dir=\"auto\">Ch\u0153ur et Orchestre de l&rsquo;Op\u00e9ra de Limoges<\/div>\n<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">http:\/\/www.operalimoges.fr\/fr\/7dpc-tdubois#decouverte<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Regardez sur Youtube https:\/\/youtu.be\/3SYRLVAvvqo Dans sa version originelle de 1867 pour petit orchestre, orgue, ch\u0153ur et solistes reconstitu\u00e9 par A. Vigneron (ed. Diem). Th\u00e8me douloureux entre tous : la v\u00e9n\u00e9ration des sept paroles prononc\u00e9es par J\u00e9sus crucifi\u00e9, tir\u00e9es des quatre \u00e9vangiles, qui devinrent sujet de m\u00e9ditation, d&rsquo;exercice spirituel. Cet oratorio est sans doute l\u2019\u0153uvre la [&hellip;]<\/p>\n","protected":false},"author":51,"featured_media":5708,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5707","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualite"],"_links":{"self":[{"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/posts\/5707","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/users\/51"}],"replies":[{"embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/comments?post=5707"}],"version-history":[{"count":0,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/posts\/5707\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/media\/5708"}],"wp:attachment":[{"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/media?parent=5707"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/categories?post=5707"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/tags?post=5707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}