{"id":11156,"date":"2024-01-06T14:42:38","date_gmt":"2024-01-06T13:42:38","guid":{"rendered":"https:\/\/www.unilim.fr\/culture\/?p=11156"},"modified":"2024-01-07T13:39:17","modified_gmt":"2024-01-07T12:39:17","slug":"haru-obsolescence-de-printemps","status":"publish","type":"post","link":"https:\/\/www.unilim.fr\/culture\/2024\/01\/06\/haru-obsolescence-de-printemps\/","title":{"rendered":"HARU-OBSOLESCENCE DE PRINTEMPS"},"content":{"rendered":"

Vendredi 19 Janvier 2024 \u00e0 20h <\/strong>au Grand Th\u00e9\u00e2tre\u00a0 \u00a0Passeport Culturel 10 euros \u00e9tudiants\/-10% personnels<\/strong>
\nOp\u00e9ra de Camille Rocailleux
\nLivret de Jo\u00ebl Bastard
\nCr\u00e9ation 2022 \u00e0 Bordeaux<\/p>\n

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Romie Est\u00e8ves<\/strong>, conception, sc\u00e9nario, chant, jeu
\nMathieu Ben Hassen<\/strong>, direction musicale
\nJean-Yves Ruf<\/strong>, conception, mise en sc\u00e8ne
\nLaure Pichat<\/strong>, sc\u00e9nographie
\nClaudia Jenatsch,<\/strong>\u00a0Costumes
\nJer\u00f4me Pigeon<\/strong>, R\u00e9gie G\u00e9n\u00e9rale
\nBaptiste Chouquet \/ Cl\u00e9ment Tranchant,<\/strong>\u00a0son
\nVictor Egea<\/strong>, lumi\u00e8re<\/p>\n

Marwane Champ<\/strong>, violoncelle
\nJos\u00e9phine Besan\u00e7on<\/strong>, clarinette, clarinette basse
\nMathieu Ben Hassen\u00a0<\/strong>, percussion, dispositif \u00e9lectronique
\nJ\u00e9r\u00e9my Peret<\/strong>, guitares
\nSamuel Bricault<\/strong>\u00a0, fl\u00fbtes<\/p>\n

Avec la participation du Ch\u0153ur de l\u2019Op\u00e9ra de Limoges
\nMusique additionnelle enregistr\u00e9e par l\u2019Orchestre Symphonique de l\u2019Op\u00e9ra de Limoges Nouvelle\u2011Aquitaine<\/p>\n<\/div>\n<\/div>\n

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Description du spectacle<\/strong><\/div>\n
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\u00c0 la suite du succ\u00e8s de\u00a0Vous qui savez ce qu\u2019est l\u2019amour<\/em>, pi\u00e8ce lyrique cocasse d\u2019apr\u00e8s Les Noces de Figaro de Mozart pr\u00e9sent\u00e9e \u00e0 l\u2019Op\u00e9ra de Limoges en janvier 2019, Romie Est\u00e8ves s\u2019engage dans une nouvelle cr\u00e9ation, cette fois-ci sur fond de fin du monde.<\/p>\n

Haru semble seule rescap\u00e9e au milieu d\u2019objets inanim\u00e9s, et proc\u00e8de \u00e0 une collecte de textes h\u00e9t\u00e9roclites\u00a0: pages d\u00e9chir\u00e9es de L\u2019Enfer de Dante, lettres d\u2019amour, enseignes publicitaires\u2026<\/p>\n

Les objets qui trainent, compagnons de d\u00e9route, t\u00e9moignent de l\u2019obsolescence programm\u00e9e. Intuitivement, Haru se livre \u00e0 une installation qui semble \u00eatre sa seule mani\u00e8re d\u2019arracher du sens et de la beaut\u00e9 au n\u00e9ant.<\/p>\n

Quand survient un nouveau signe de vie inattendu : elle est enceinte.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Dur\u00e9e : 1h45<\/em><\/p>\n

+ d’infos : operalimoges.fr<\/p>\n

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 <\/p>\n<\/div>\n<\/div>\n

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<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Vendredi 19 Janvier 2024 \u00e0 20h au Grand Th\u00e9\u00e2tre\u00a0 \u00a0Passeport Culturel 10 euros \u00e9tudiants\/-10% personnels Op\u00e9ra de Camille Rocailleux Livret de Jo\u00ebl Bastard Cr\u00e9ation 2022 \u00e0 Bordeaux Romie Est\u00e8ves, conception, sc\u00e9nario, chant, jeu Mathieu Ben Hassen, direction musicale Jean-Yves Ruf, conception, mise en sc\u00e8ne Laure Pichat, sc\u00e9nographie Claudia Jenatsch,\u00a0Costumes Jer\u00f4me Pigeon, R\u00e9gie G\u00e9n\u00e9rale Baptiste Chouquet […]<\/p>\n","protected":false},"author":51,"featured_media":11157,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11156","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualite"],"_links":{"self":[{"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/posts\/11156","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/users\/51"}],"replies":[{"embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/comments?post=11156"}],"version-history":[{"count":0,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/posts\/11156\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/media\/11157"}],"wp:attachment":[{"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/media?parent=11156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/categories?post=11156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.unilim.fr\/culture\/wp-json\/wp\/v2\/tags?post=11156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}